Gabriels - Angels & Queens
Let’s get started with an absolute belter. Angels & Queens by Gabriels is a stunning fusion of vintage soul, jazz, gospel and modern electronic production, completely showing off the three pieces ability to write powerful and enchanting songs. The vocals of Jacob Lusk are absolutely incredible, and the songs are both catchy and thought-provoking. This is a record you simply can’t miss this year!
- Check out the song: Angels & Queens
Lil Yachty – Let’s Start Here
This album is not what we expected when new Lil Yachty dropped. A departure from his usual sound, with a focus on more mature and introspective lyrics and a sonic landscape that leans towards soul and psychedelic rock. The album is still full of catchy melodies and upbeat production, but it also shows a new side of Lil Yachty and a departure from what society can expect from the term ‘rapper’.
- Check out the song: THE zone
Amaarae - Fountain Baby
Afropop star Amaarae drops a sexy record that we keep coming back to. It’s fresh, it’s full of absolute banger, and it will resonate with Gen Z audiences. Delivering a new and refreshing take on modern R&B with vocals that are sultry and soulful, and songs that are both sexy and empowering. Don’t miss this release if you know what’s good for you!
- Check out the song: Co-Star
Miley Cyrus - Endless Summer Vacation
We expected good things from the next Miley Cyrus release and she certainly delivered. Endless Summer Vacation is a fun and carefree summer listen, which Claudia Moross; founder of 12on12, calls a ‘refreshing mix of female empowerment and summer jams’. The rest of the team couldn’t agree more. Cyrus channels her inner Dolly Parton on tracks like "Flowers" and "Night Crawling," and the album is full of catchy melodies and upbeat production, perfect for those sunny long summer days.
- Check out the song: Wildcard
Screaming Females - Desire Pathway
Screaming Females deliver another powerful and dynamic album. A true exploration of female power and sexuality that’s both loud and aggressive, whilst maintaining a level of emotion and vulnerability that’s completely refreshing. Packed full of rock bangers,if cars still had tape decks, this is the kind of record we’d have left in there for months on end.
- Check out the song: Mourning Dove
Mahalia - IRL
“Trying to stay stable is hard”. Such strong lyrics for an opening song. IRL by Mahalia doesn’t stop with a great opening track though, it continues down that path with a record that’s a raw and honest exploration of love, loss, and growth. Mahalia's vocals are powerful and vulnerable throughout, and the songs are both personal and relatable. If you’re after a soulful r&b album for warm summer nights, you’ve certainly found it right here.
- Check out the song: November (feat. Stormzy)
Killer Mike - Michael
We’re always excited for new material from Killer Mike, wether in the form of a new RTJ release, or any of his many collabs. But this solo album is truly something else. A powerful and personal statement that is as full of bangers you can sing along too, as it is introspective songs that leave you on the verge of tears. Killer Mike's lyrics are both insightful and thought-provoking, and the production manages to find the perfect balance between raw and polished.
- Check out the song: Don't Let The Devil ft. EI-P, thankugoodsir
Kali Uchis - Red Moon in Venus
Kali Uchis brings us a dreamy and sensual exploration of love and desire. With vocals that are intoxicating, and songs that are both atmospheric and catchy. Lush lyrics over serene melodies which we can’t get out of our heads. You know those tunes you find yourself humming on the train, yeah this album is full of them. Do yourself a favour and check it out if you haven’t already.
- Check out the song: I wish you roses
Kaytranada and Amine - Kaytramine
Two talented artists at the top of their game deliver an unmissable album full of groovy beats, silky raps and well thought out features. As you’d expect from Kaytranada, the production is lush and atmospheric, and Amine's vocals are smooth and effortless. This is an album that we can see being on rotation for a long time, wether on a summer stroll or at a house party, it’s got beats and rhymes for every occasion.
- Check out the song: 4EVA feat. Pharrell Williams
Billy Woods & Kenny Segal - Maps
Sometimes all you need from an album is a dark and challenging exploration of the human condition… or is that just us? Teaming up with talented hip-hop producer Kenny Segal makes for a production that’s both atmospheric and unsettling, whilst rapper ‘billy woods' lyrics are sharp and insightful. The matchup makes for a great listen and keeps us coming back to notice new and exciting details.
- Check out the song: Soft Landing
Boygenius - The record
Indie-rock supergroup Boygenius have been writing bangers for a while, but this album takes it to the next level. A collaboration between three talented singer-songwriters: Julien Baker, Phoebe Bridgers, and Lucy Dacus, see’s the album chocka full of beautiful harmonies and introspective lyrics. The perfect album for those duvet days we mentioned in the intro.
- Check out the song: Emily I’m Sorry
Hot Mulligan - Why would I watch
Technically labelled an emo band, Hot Mulligan bring their emotive blend of punk and indie rock and create an emotional, hilarious and self-deprecating exploration of the awkwardness of being a young adult. There’s a lot of love and emotion in this record, which brings you back to those feelings of teenage angst within a few chords and vocal hooks. Hot Mulligan's lyrics are witty and relatable, and the songs are both catchy and fun.
- Check out the song: Gans Media Retro Games
We also have to give a honourable mention to the album Utopia by 12on12 collaborator Travis Scott (check out the collab we did with him here). It’s not made it into our list, simply because we haven’t had enough time to sit and let it digest. First listen seems promising though, there’s some absolute bangers on there that we’ll sure will have ‘Utopia’ making our end of the year list.
There you have it, 12 of our favourite records of the year so far, what do you think? Any you feel should have made it up there? Anything we need to get our asses in gear and check out? Let us know and we’ll get on it.
Freddy was born in the Bronx in 1959. He began his career as a graffiti artist in the late 70s, and he quickly became one of the most well-known figures in the scene. He was a member of the legendary graffiti crew The Fabulous 5, along with graffiti legend Lee Quiñones, and they were both pioneers in the crossover between graffiti and fine art. During the 70s, New York City's boroughs were a melting pot of creativity, influenced by the city's diverse communities. Graffiti emerged as a powerful form of self-expression among marginalised youth, and Freddy was at the forefront of this movement. As a graffiti artist, he left his mark on the city's subway trains, using vibrant colours and intricate designs to transform the urban landscape into a canvas of artistic expression.
Freddy's graffiti art captured the essence of the city's pulsating energy and became a reflection of the Hip Hop culture that was simultaneously developing. He blended his love for music and art, incorporating musical references and vibrant imagery into his work. Freddy's distinctive style caught the attention of both fellow graffiti artists and the broader artistic community, solidifying his place as a pioneer in the emerging graffiti culture.
As Hip Hop culture began to take shape, Freddy along with a handful of other street artists, including Futura 2000 (read more about that here), found themselves at the centre of this transformative movement. Freddy became an influential figure within the budding community, connecting with artists, musicians, and DJs. His knowledge of both the graffiti and music scenes allowed him to bridge the gap between these two art forms and establish a symbiotic relationship between Hip Hop and graffiti culture.
Freddy's ability to move seamlessly between these worlds contributed to the fusion of art and music that became synonymous with Hip Hop. He played a significant role in popularising the idea that graffiti, breakdancing, MCing, and DJing were interconnected elements of the same cultural movement. This holistic view of Hip Hop culture continues to shape its identity and influence artists to this day.
In the early 1980s, Freddy began to work as a promoter and DJ. He was one of the first people to bring Hip Hop to the downtown Manhattan art scene, and he helped to introduce the genre to a new audience. He also helped create the seminal Hip Hop film Wild Style along with filmmaker Charlie Ahearn. The film helped to solidify his status as a Hip Hop ambassador and has a story all of its own that’s worth telling, so keep your eyes peeled for an upcoming blog post. That’s not all though, Freddy collaborated on songs with Rock Steady Crew & The Clash, rapped in various languages, appeared in the Blondie music video for ‘Rapture’, helped popularise Hip Hop in France and has had a Netflix documentary where he’s followed around whilst uncovering the history of Cannabis and talking to guests such as Snoop Dogg & Cypress Hill.
Convinced he’s a legend yet? Well, we’re still not done. In 1988, Freddy hosted the groundbreaking MTV show Yo! MTV Raps, essentially becoming the world's first Hip Hop VJ. The show was a huge success, and it helped to introduce Hip Hop to a mainstream audience. Freddy's charismatic personality and his encyclopaedic knowledge of Hip Hop made him a natural host, and he helped to shape the way that Hip Hop was presented to the world.
To this very day, Freddy has continued to be a major force in the worlds of Hip Hop and graffiti art. He has released several albums, written several books, and curated numerous exhibitions. He is a living legend, and his impact on these two cultures is immeasurable. His contributions are immeasurable, and he will continue to be an inspiration to people for many years to come.
Love Hip Hop? Why not check out our blog on the absolute kings, RUN DMC?
]]>Eric Haze, is a renowned artist and graphic designer who, with his distinctive style, has become a significant influence. Not only has he collaborated with iconic figures, but he’s also helped pioneer a unique visual language that fuses graffiti, graphic design, and urban aesthetics.
He began his artistic journey during the 70s, immersing himself in the emerging Hip Hop and graffiti culture of New York City. The vibrant energy and expressive nature of graffiti served as a powerful inspiration for Haze, as he began experimenting with typography and developing his own artistic voice. His experiences as a graffiti artist laid the foundation for his future work, as he transitioned into a career as a graphic designer.
Eric Haze's artistic vision draws inspiration from a diverse range of sources. He has cited abstract expressionism, Russian constructivism, and classic Swiss typography as significant influences on his work. His ability to seamlessly blend seemingly disparate elements and styles results in a visually striking and cohesive body of work.
This artistic prowess garnered attention from various musicians and artists seeking to infuse their work with his unique visual style. He collaborated with the likes of Beastie Boys, LL Cool J, and EPMD, creating album covers and logos that visually represented their music and personas. One of his most notable collaborations though, was with the legendary Hip Hop group Public Enemy. He designed their iconic logo, incorporating a silhouette of a man in a crosshairs target, which became instantly recognizable and synonymous with Public Enemy's incredibly powerful message.
His collaborations also extended beyond the realm of Hip Hop, working with renowned artists such as Keith Haring and Jean-Michel Basquiat, both of whom played integral roles in shaping the art scene of the 1980s. And in addition to the art world, Haze also finds inspiration in street culture, skateboarding, and fashion. In fact he’s collaborated with brands such as HUF, G-Shock, Jimmy Choo, Pleasures, BAPE & more. His keen observation of urban environments and exploration of the relationship between art and the everyday have contributed to his distinctive style and unique perspective.
Eric Haze's contributions to both art, Hip Hop and streetwear have left an enduring impact. His work continues to inspire and influence artists, designers, and musicians alike (check out this great convo he had with A$AP Ferg about Basquiat & the blurring of creative mediums).
By bridging the gap between graffiti, graphic design, and fine art, Haze has carved out a space for himself that defies conventional categorizations.
Haze's ability to capture the essence of an artist's or brands identity and translate it into a visually captivating aesthetic has made him a sought-after collaborator for creators seeking to visually communicate their art. His influence on Art and Hip Hop Culture is immeasurable. Through his innovative blending of graffiti, graphic design, and urban aesthetics, he has helped reshape the visual landscape of both industries.
His collaborations with iconic musicians and artists have further solidified his status as a creative force, while his ability to draw inspiration from various sources has ensured the continued relevance and dynamism of his work. As the Art and Hip Hop worlds continue to evolve, Eric Haze's contributions will undoubtedly remain an integral part of their respective cultures.
]]>RUN DMC is an American hip hop group that formed in Hollis, Queens, New York City, in 1982. The group consisted of Joseph "Run" Simmons, Darryl "DMC" McDaniels, and Jason "Jam Master Jay" Mizell. They are considered one of the most influential hip hop groups of all time, even if you THINK you don’t know them, you probably know their songs. They are credited with breaking down racial barriers and bringing hip hop to the mainstream.
So many influences
I’ve always found people who claim they only listen to one genre of music slightly off putting. Part of me can’t help but distrust them, surely they hide in their rooms, check no one is watching and listen to Justin Bieber like every other normal human being? RUN DMC seemed to share at least some of that mindset too, because their influences were spread far and wide, including The Rolling Stones, Kraftwerk, Grandmaster Flash and the Furious Five, Afrika Bambaataa, George Clinton, The Sugarhill Gang and more. This diverse taste in music all contributed to a sound that fused hip hop and rock music together, in what at the time was a fresh and unique way; and what today is still considered popular and timeless. Needless to say, you can see RUN DMC’s influence on countless artists and bands that have come after.
Mainstream success
RUN DMC achieved mainstream success in the early 1980s, when hip-hop was still considered a relatively new genre. They were one of the first hip-hop groups to … well, do a whole lot of stuff actually. To appear on MTV with the music video to “Rock Box” in 1984, to perform at Live Aid in 1985, to tour with a live band, to appear in a major motion picture (Krush Groove), to go platinum with their classic album ‘Raising Hell’ in 1986, AND to grace the cover of Rolling Stone that same year.
What helped them get there? You see, RUN DMC was already one of the top-selling rap acts by the mid-1980s. However, MTV were still being slow on the uptake and largely ignoring rap and hip-hop. So their producer, Def Jam Records co-founder and absolute legend Rick Rubin, wanted to see RUN DMC reach a wider audience, an audience that included the kind of suburban rock-obsessed teen that he himself had once been. Rick suggested to the group that they cover a Aerosmith hit that they had been sampling. He then reached out to Aerosmith with a proposal. That phone proposal ended up becoming the mighty hip hop/rock classic "Walk This Way,". A song people are STILL drunkenly dancing to at nightclubs. A crossover hit that helped to introduce hip-hop to a wider audience, and most importantly to break down racial barriers in the music industry.
Fashion is king
RUN DMC's fashion sense was also iconic, and it helped to define hip hop culture in the 1980s. The group was known for wearing Adidas tracksuits, Kangol hats, and big gold chains. They also popularised the use of sneakers in hip hop fashion, in fact, they loved their sneakers so much that they immortalised them in their track "My Adidas", which led to the group signing a $1,600,000 endorsement deal with Adidas (who were also trying to sign Michael Jordan, but that’s a whole different story). That partnership could be considered "the beginning of what we have come to know as hip hop fashion".
RUN DMC's fashion sense was more than just a way to look cool and get endorsements though. It was also a way to express their identity and their culture. The Adidas tracksuits represented their working-class roots, while the Kangol hats were a nod to their African heritage and the gold chains were a symbol of their success. RUN DMC's fashion sense was influential not only on hip hop culture, but also on mainstream fashion. Their look was (and is still) copied by people of all ages and backgrounds, and it helped to make hip hop fashion more mainstream.
Jay's Legacy
The world, and the hip-hop community, suffered a great loss when Jam Master Jay was shot on October 30th, 2002. He was a true pioneer of hip-hop DJing, and he helped to shape the sound of hip-hop music. He was also a mentor to many young DJs, and he helped to inspire a new generation of hip hop artists.
Jay's impact on hip hop was profound. He was one of the first DJs to use scratching techniques, and he helped to popularise this technique in hip hop music. He was also a skilled producer, and he produced many of RUN DMC's most successful songs.
In 2009, Jay was posthumously inducted into the Rock and Roll Hall of Fame as a member of RUN DMC. He was also inducted into the Hip Hop Hall of Fame in 2002.
Jay's death was a major loss to the hip hop community, but his legacy lives on. He is and will continue to be an inspiration to DJs and hip hop artists around the world.
Legends of hip-hip
RUN DMC are one of the most influential hip hop groups of all time. Their legacy continues to inspire hip hop artists today. Their influence on hip hop culture is undeniable. They were one of the first hip hop groups to achieve mainstream success, and they helped to break down racial barriers. Their music and fashion sense helped to define hip hop culture in the 1980s, and their legacy continues to inspire and mould the culture today.
That’s why we collaborated with RUN DMC to honour Jam Master Jay and the 35th anniversary of their iconic album "Raising Hell". They curated our hand-numbered, limited-edition deluxe double-disc vinyl record, with a soundtrack that embodies the story of RUN DMC's legacy. Featuring songs that inspired, affected and changed the ground-breaking group's music, from The Sugarhill Gang and Afrika Bambaataa to MFSB and Kraftwerk. Exclusive RUN DMC labels adorn the double-disc gatefold sleeve, which features a unique work of art by Reena Tolentino aka. 'RT', who also offers her interpretation of the iconic RUN DMC logo.
]]>
In the world of hip-hop, Swizz Beatz first started gaining recognition through the record label, Ruff Ryders, where he eventually produced for most of the acts on the roster. He is known for his innovative production style and his ability to fuse different genres of music. This reputation has seen him work with some of the biggest names in hip-hop, including Jay-Z, Eve, Beyoncé, Drake, and DMX. He also started his own record label called ‘Full Surface’ in 2001, singing Eve, Cassidy, Drag-On and more. He’s a producer, rapper, DJ & songwriter whose music has been praised for its creativity and its ability to capture the energy and excitement of hip-hop culture.
In fact, he’s worked on so much that knowing where to start listening can be a bit daunting, although to be honest, you’ve probably heard a bunch without being aware it was produced by him. So, if you’re wondering what tracks he’s produced, in true 12on12 fashion, here’s 12 of our favourites:
‘Spit Your Game’ - The Notorious B.I.G
‘Party Up In Here’ - DMX
‘I’m A Hustla’ - Cassidy
‘Tambourine’ - Eve
‘On To The Next One’ – Jay-Z
‘Fancy’ – Drake ft T.I
‘Touch It’ – Busta Rhymes
‘Money Cash Clothes’ – The Game ft A$AP Rocky
‘Countdown’ – Snoop Dogg
‘Dr. Carter’ – Lil Wayne
‘Check on It’ - Beyonce
‘Rollin' (Urban Assault Vehicle)’ - Limp Bizkit
But his legacy doesn’t just end with music. In the world of contemporary art, Swizz Beatz is known for his collection of art. He has amassed one of the largest and most important collections of Gordon Parks's work. In fact, him and his wife, Alicia Keys, hold the positions of co-chairs at the Gordon Parks Foundation, an organisation dedicated to preserving the extensive body of work by Gordon Parks, a groundbreaking figure in photography, filmmaking, music, and activism. Swizz Beatz collection also includes works by artists such as KAWS, Keith Haring, Jeffrey Gibson, and Kehinde Wiley. He has used his platform as a collector to advocate for artists of colour and to promote diversity in the art world.
In addition to his work as a producer and collector, Swizz Beatz has also been involved in a number of other projects that have brought hip-hop and contemporary art together. In 2019 he opened the exhibition "DREAMWEAVERS" at UTA Artist Space, which featured work by over 20 contemporary African American artists. The exhibition helped to showcase the work of these artists and to promote diversity in the art world.
He has even taken his art fair No Commission on tour worldwide. No Commission is a touring exhibition that gives artists 100% of the proceeds from their sales. That’s right, every, single, penny. Definitely a significant departure from the traditional art market.
We first worked with Swizz Beatz on the release of ‘Long Live Jazz’, a double disc vinyl record that contains 12 tracks meticulously selected by Swizz. The album's artwork features a seminal photograph from The Dean Collection, "Untitled (Grandassas in Car)” by Kwame Brathwaite. We then released a 2nd edition of the vinyl in 2022, with Ferrari Sheppard's fine art portrait, 'My Name is Sarah, 2021', as the outer jacket and album gatefold.
Swizz Beatz's work has helped to break down the barriers between hip-hop and contemporary art. He has shown that these two cultures can be mutually beneficial, and he has helped in creating a new space for artists to thrive. He’s a true pioneer in the field of hip-hop and contemporary art. His work has helped to change the way that people think about both cultures, and his influence will continue to be felt for years to come.
]]>
Futura emerged as a prominent figure in the New York City graffiti scene during the 70s. Known for his distinctive abstract graffiti style, he quickly gained recognition for his ability to combine elements of fine art and meld it with the rebellious spirit of street culture.
It’s not just graffiti either, Futura has also worked as a graphic designer and illustrator. Designing album artwork for Mo’ Wax, a British record label who released albums by artists such as UNKLE, Tommy Guerrero, DJ Shadow, Blackalicious & more. He even went as far as heading on tour with The Clash, creating artwork behind them as they played. His love for music doesn’t even stop there, in ‘82 Futura released his own 12” rap single, co-written by Mick Jones and featuring The Clash as his band, he even performed the song live with them in Paris.
The back of the record had parts of an artwork by Futura. They could be joined up with some other records to reveal the full artwork. The other records were: ‘Grand Mixer D.St. & The Infinity Rappers’ The Grand Mixer Cuts It Up, ‘Fab 5 Freddy’s’ Une Salle Histoire, ‘Phase II’s’ The Roxy, and ‘Tribe 2’s’ What I Like.
Futura’s influence on fashion can’t be overstated either. His signature aesthetic has found its way onto apparel, footwear, and accessories, transforming fashion into a canvas for his distinctive art.
Recognizing the potential to merge art and style, he’s collaborated with iconic fashion brands, including Human Made, Levi, UNIQLO, and Cinelli among others. Recently Virgil Abloh‘s estate also decided to release The Nike Dunk Low “Virgil Abloh™ x Futura Laboratories” through a special Sotheby’s auction. The original estimated price was between $2,000 – $4,000 , the highest winning bid went to a size 10 pair in the orange colorway, sold at $107,950 — around 50 times higher than the estimated price.
His collaborations have blurred the lines between art and fashion, inspiring a generation of designers and artists to push creative boundaries, and having a massive impact on streetwear and urban culture.
By infusing his artwork into clothing, he propelled graffiti and street art into the mainstream. His collaborations with fashion brands not only introduced his style to a broader audience but also gave rise to a new wave of streetwear, characterised by bold graphics, vibrant colours, and a fusion of art and fashion.
Futura’s influence continues to resonate in contemporary street culture, shaping trends and inspiring a global community of creatives.
Futura’s innovative approach to art and fashion has left an indelible mark on both industries. His unique fusion of graffiti, fine art, and fashion has redefined creative boundaries, inspiring countless artists and designers to think outside the box. His impact on art and fashion continues to resonate globally, ensuring that his legacy as a groundbreaking artist will endure for generations to come.
Tommy Johnson – 'Alcohol and Jake Blues' - $37,100
In 2013, a rare copy of Tommy Johnson's haunting classic, 'Alcohol and Jake Blues,' fetched an impressive $37,100 on an eBay bid. This Delta blues masterpiece, released in 1930, captures the raw essence of Johnson's soulful voice and intricate guitar playing. With its scarcity and historical significance, it remains a highly prized possession for blues aficionados and collectors.
Aphex Twin – 'Caustic Window' - $46,300
Markus 'Notch' Persson, the visionary creator of Minecraft, acquired Aphex Twin's elusive album 'Caustic Window' in 2014 for a staggering $46,300. With only a few test pressings in existence, this electronic music gem represents the epitome of rarity. The album's intricate beats, experimental sounds, and rich textures have cemented its status as a holy grail for fans of electronic music and vinyl collectors seeking musical treasures.
The Beatles – 'Till There Was You' - £77,500
In March 2016, a 10-inch acetate copy of The Beatles' rendition of 'Till There Was You' sold at auction for a remarkable £77,500. This rare recording captures the band's early charm and showcases their incredible talent as they reimagined a classic Broadway tune. The historical significance and sentimental value attached to this Beatles artefact makes it a cherished piece of music history for fans and collectors of Beatles memorabilia.
The Beatles – 'Yesterday & Today' - $125,000
In February 2016, a sealed stereo copy of The Beatles' iconic album 'Yesterday & Today' in its rare "first state" cover sold at auction for a staggering $125,000. This controversial album cover, featuring the band adorned in butcher smocks and holding dismembered doll parts, was quickly recalled, making the early sealed copies extremely scarce. The combination of its historical significance, scarcity, and legendary music solidifies its status as one of the most valuable Beatles records in existence.
John Lennon & Yoko Ono – 'Double Fantasy - $150,000
In 1999, a copy of John Lennon and Yoko Ono's iconic album 'Double Fantasy,' signed by John Lennon, fetched an eye-watering $150,000. Released shortly before Lennon's tragic passing, this record holds immense sentimental value for fans worldwide. The autograph, coupled with the album's profound impact on popular music, make it a highly prized possession for collectors and a symbol of Lennon's enduring legacy.
The Beatles – 'Sgt. Pepper's Lonely Hearts Club Band' - $290,500
In 2013, a buyer acquired a signed copy of The Beatles' groundbreaking album 'Sgt. Pepper's Lonely Hearts Club Band' for a staggering $290,500. The record, adorned with the signatures of all four band members, represents a cherished artefact from the height of Beatlemania. With its revolutionary sound, iconic cover art, and the band's autographs, this album stands as a testament to The Beatles' unrivalled influence on the music industry and their timeless appeal to fans and collectors alike.
Elvis Presley – 'My Happiness' - $300,000
In December 2015, Grammy Award-winning musician Jack White acquired the test pressing of Elvis Presley's first-ever recording, 'My Happiness,' for a reported $300,000. This extraordinary piece of rock 'n' roll history captures the raw talent and humble beginnings of the King himself. Presley's journey from an aspiring young artist to an international sensation is embodied in this single, making it a priceless treasure for collectors and a testament to the power of music.
The Beatles – 'The Beatles' - $790,000
In a moment that left collectors and music enthusiasts baffled, Ringo Starr's personal copy of The Beatles' self-titled album, commonly known as the "White Album," was sold at auction in the US for a jaw-dropping $790,000. This iconic album, with its minimalist all-white cover, showcases the band's artistic versatility and musical genius. The added historical significance of this specific copy, owned by one of the Fab Four and copy ‘0000001’, elevates its value to unprecedented heights.
Bob Dylan – ‘Blowin’ in the Wind’ - $1.77 million
In 2021, Bob Dylan's iconic song ‘Blowin’ in the wind’ was rerecorded. A collaboration with Grammy Award winning producer, T Bone Burnett, which would become the first new studio recording of the song since 1962. A one-off record, on an ‘Ionic Original’ disc, displayed in a walnut and white oak cabinet. Also, the first recording to use this patented technology. A real gem for any collector, no wonder it got $1.77 million when auctioned at a Christies last year.
Wu-Tang Clan – 'Once Upon a Time in Shaolin' - $2 million
In 2015, pharmaceutical executive Martin Shkreli acquired the one-of-a-kind album 'Once Upon a Time in Shaolin' by the Wu-Tang Clan for a staggering $2 million. This exceptional release was limited to a single copy, encased in an intricately designed box and accompanied by various artistic artefacts. Shrouded in mystery and exclusivity, this album was recorded in secret and highlights the intersection of music, art, and luxury. Its unprecedented price tag and the Wu-Tang Clan's visionary approach to music distribution make it an emblem of modern-day musical eccentricity.
So that’s it, the 10 most expensive vinyl records ever sold and the extraordinary prices commanded by these musical treasures. From the soulful sounds of Frank Wilson to the visionary artistry of Wu-Tang Clan, these records exemplify the remarkable value placed on rare editions, historical significance, and the enduring impact of legendary artists. Whether you're a devoted collector or a passionate music lover, these records represent more than just financial investments—they embody the essence of creativity, cultural significance, and the eternal allure of vinyl records.
Joyce Pensato: (https://www.instagram.com/joycepensato/)
Joyce Pensato, was a Brooklyn-born artist who sadly passed away in 2019. Her work stands out for her fearless approach to reimagining cartoon imagery. Like Kaws, Pensato drew inspiration from popular culture, specifically animated characters such as Mickey Mouse and Batman. However, she took it a step further by imbuing her paintings with a raw energy that challenges traditional artistic boundaries. Her bold brushstrokes, frenetic lines, and abstract expressionist approach create striking and slightly unsettling portraits. Pensato's works evoke a sense of familiarity while delving into the darker aspects of these beloved characters, creating a unique artistic dialogue.
Futura: (https://www.instagram.com/futuradosmil/)
Futura, also known as Lenny McGurr, is a pioneering graffiti artist and contemporary painter hailing from New York City. With a career spanning over four decades, Futura has seamlessly transitioned from the streets to gallery exhibitions, leaving an indelible mark on the art world, much like Kaws. Futura's signature style revolves around abstract forms, dynamic lines, and vibrant colours. His compositions are visually captivating, reflecting his deep understanding of composition and movement. His work often explores the intersection between street art, pop culture, and fine art, creating a visual language that resonates with Kaws' influential blend.
Takashi Murakami: (https://www.instagram.com/takashipom/)
Takashi Murakami, is a Japanese artist widely regarded as one of the most important figures in contemporary art. He shares similarities with Kaws in terms of their fusion of traditional and popular culture influences. Murakami's vibrant, eye-catching artworks often feature a cast of playful and fantastical characters that blur the line between fine art and commercial branding. Much like Kaws, Murakami's art embodies a dynamic mix of Japanese aesthetics, manga, and global consumer culture. His "Superflat" concept, which combines elements of traditional Japanese art with contemporary aesthetics, echoes Kaws' exploration of the intersection between art, commerce, and popular culture. We had the absolute honour of working with Takashi on the ComplexCon release back in 2018 and the process only made us love him more.
Javier Calleja: (https://www.instagram.com/javicalleja/)
Javier Calleja is a Spanish artist who brings a whimsical and thought-provoking touch to his art, much like Kaws. Calleja's distinctive style revolves around the creation of simple yet emotive characters with oversized heads and expressive eyes. These endearing figures often explore themes of vulnerability, isolation, and the complexity of human emotions. Calleja's works, like Kaws', evoke a sense of nostalgia while eliciting profound introspection. Through his sculptures, paintings, and installations, Calleja captures the essence of the human condition and invites viewers to reflect on their own emotions and experiences.
Yoshitomo Nara: (https://www.instagram.com/michinara3/)
Yoshitomo Nara is a Japanese artist who shares Kaws' ability to imbue seemingly innocent and cute characters with deeper emotions and narratives. Nara's works often feature childlike figures that confront viewers with a blend of innocence, rebellion, and introspection. With influences from manga and anime, Nara creates a unique artistic language that challenges societal norms and explores the complexities of the human experience. Much like Kaws, Nara's art transcends its initial charm, inviting viewers to reflect on themes of identity, loneliness, and the fragility of youth.
Harland Miller: (https://www.whitecube.com/artists/harland-miller)
Harland Miller is a British artist and writer who employs a distinctive blend of pop art and literature to create visually striking artworks that draw inspiration from classic book covers. Miller's pieces often feature bold typography and witty, satirical phrases that resonate with viewers. Like Kaws, Miller's art blurs the boundaries between high and low culture, while injecting humour and social commentary into his thought-provoking works. By appropriating the aesthetic of book covers and incorporating clever wordplay, Miller's art engages with notions of nostalgia, literary references, and societal critique.
Richard Orlinski: (https://www.instagram.com/richardorlinski/)
On our latest release with Steve Aoki we had the absolute pleasure of working with Richard Orlinski. A French contemporary artist who explores the intersection of art, pop culture, and consumerism, making him an artist to follow for Kaws enthusiasts. Orlinski is renowned for his dynamic and vibrant sculptures, often depicting animals and iconic pop culture symbols. Like Kaws, he merges high and low art by recontextualizing recognizable forms, imbuing them with a contemporary twist. Orlinski's sculptures, with their polished surfaces and sharp geometric edges, reflect his belief in the democratisation of art and the power of accessible aesthetics to inspire and engage a wide audience.
If you love Kaws and his groundbreaking contributions to contemporary art, exploring the works of the artists we’ve covered will undoubtedly broaden your artistic horizons. Each artist, with their unique styles and perspectives, showcases the diverse ways in which art can engage with popular culture, challenge conventions, and leave a lasting impact on the art world. Embrace their creativity, delve into their narratives, and continue to be inspired by the artistic brilliance that echoes the legacy of Kaws.
Love content like this, why not sign up to our newsletter for more!
]]>
Who is Richard Orlinski and what is his artistic style?
Richard Orlinski was born in France in 1966. From a young age, he had a passion for art and studied sculpture at Ensaama (École nationale supérieure des arts appliqués et des métiers d'art) in Paris. After graduation, he spent several years working as a designer before he decided to pursue his passion for sculpture full-time.
His artistic style is a fusion of pop culture and classical sculpture. His sculptures are impressive with their large scale and feature bright colours that give them a sense of energy and vitality. His work is inspired by the pop culture of the 21st century, which he combines with a deep knowledge of classical sculpture to create works that are both accessible and incredibly thought-provoking.
Orlinski’s sculptures have been exhibited in galleries and museums around the world. He has also collaborated with a range of high-profile brands, including Lamborghini, Hublot, Baccarat, and Swarovski. His work is collected by art collectors and enthusiasts worldwide, and his sculptures have become iconic symbols of contemporary art.
Influences and Contemporaries
Orlinski's work is influenced by a range of artists, including Jeff Koons, Andy Warhol, and Keith Haring. Like these artists, he is interested in exploring the intersection of art, commerce, and popular culture, often incorporating elements of popular culture into his sculptures, such as superheroes, animals, and cartoon characters.
Despite his contemporary style, Orlinski's work is also rooted in the traditions of classical sculpture. He often references iconic works of art from the past, such as the Winged Victory of Samothrace or Michelangelo's David. This blend of classical and contemporary influences is one of the hallmarks of Orlinski's work.
In terms of contemporaries, he is often associated with other sculptors who share his interest in pop culture, such as Jeff Koons, Takashi Murakami, and KAWS. Like these artists, Orlinski is interested in creating works that are accessible to a wide audience, while still maintaining a sense of artistic integrity.
The Importance of Richard Orlinski's Kong Sculpture
One of Orlinski's most iconic works is his Kong sculpture. First exhibited in 2015 at the Cannes Film Festival, the sculpture stands at over three metres tall and captures the essence of the King Kong character in a way that is both true to the original movie and completely unique.
The character of King Kong is often seen as a symbol of raw strength and power, and Orlinski's sculpture captures these qualities in a bold and striking way. By reimagining King Kong in his own unique style, Orlinski challenges our perceptions of gender, masculinity and power.
His use of bright, eye-catching colours gives the sculpture a sense of energy and vitality that is difficult to miss. Its attention to detail, such as the realistic textures and facial features, makes it seem almost alive. The Kong sculpture is a prime example of Orlinski's signature style, which is designed to be accessible to a wide audience while still maintaining a sense of artistic integrity.
The sculpture has been the subject of numerous exhibitions and collaborations, including a special edition created for the Mandarin Oriental Hotel in Paris. Orlinski's Kong sculpture has also been exhibited in a number of art galleries and museums around the world, where it has become a popular attraction for visitors.
Impact on Contemporary Art
Richard Orlinski's Kong sculpture is more than just a work of art; it is a masterpiece that captures the essence of contemporary sculpture. His unique blend of pop art, street art, and classical sculpture has redefined the way we think about art. By creating art that is both accessible and thought-provoking, Orlinski has made contemporary art more approachable for a wider audience.
A contemporary artist who has made a significant impact on the world of sculpture. His bold, colourful sculptures are a testament to his ability to combine classical and contemporary influences, and his work is a reflection of the energy and vitality of modern life.
Richard Orlinski, art directed the collaboration with Steve Aoki and created the original character, “Punk Kong”. 12on12 has bought Punk Kong to life with a range of limited-edition apparel and lifestyle products produced to luxury standards and reflecting the artists’ shared sentiments. With his growing popularity, Orlinski's work is sure to continue to captivate audiences for years to come, so make sure to pick up a piece below and own a piece of art history.
]]>
We caught up with Steve Aoki to get a deeper dive into the tracks he chose for ‘Year Zero’, a super limited vinyl release in collaboration with Richard Orlinski, which celebrates his love for straight-edge hardcore. Let’s find out more about why he chose that genre and why he loves those tracks so much.
‘Start Today’ by Gorilla Biscuits
“I chose ‘Gorilla Biscuits’, ‘Start Today’ because it's the most seminal band for me when I got into the straight-edge hardcore scene. It was on the first mixtape that I ever received that introduced me into the straight-edge hardcore world.
Straight-edge hardcore at the time when I was a teenager was a big deal. It was the most important thing going on. It was my lifestyle choice. The friends I chose, the food I ate, the activities I did were all based in the straight-edge hardcore space. And Gorilla Biscuits was like the most important band. They weren't around when I was around, so I kind of looked up to them, because they weren't around.
That ‘Start Today’ album was so important. I actually got a ‘Gorilla Biscuits’ tattoo, the very first tattoo is a logo of ‘Gorilla Biscuits’. My mom always thought it was a mole on my back, she was like, ‘what's that on your back?’ and I’m like ‘oh no mum, you didn’t see anything!’.”
‘In Defense Of Reality’ by Shelter
“Wow, what a great song! I mean, there’s ‘Youth Of Today’, there’s ‘Shelter’, there’s ‘Ray Cappo‘ in both and the guitarist, I forget his name, but he’s in both. I listened to that album so much. ‘In defense of reality’ was also on their first mixtape and it's just one of those songs, I just have so many memories of singing along to it.
And once again, this is one of the bands I never saw. You know, there's so many bands I grew up watching, being a Southern California straight-edge hardcore kid, but Shelter was before my time. So you always looked up to the bands that you could never watch, kind of in the same way as ‘Gorilla Biscuits’. it brings me back to that era of time, the hardcore era, that brought me into music really.”
‘Pinned Up’ by Avail
“Now we're moving forward into bands that I actually did watch growing up. I was a bit older than 15,16 years old. I was 17, 18, 19, 20, that era, like those four years I was watching Avail. I just remember following the band around, like just being a total fanboy. Every show I was there watching them play, singing along to all their lyrics. I just loved them so much and had all their albums.”
‘Running Like Thieves’ by Bold.
“It's another one, part of the bands that I never got to see. They’re East Coast. East Coast hardcore kind of reigns supreme. I mean also I’m West Coast, so I loved the East Coast, I always loved the opposite. They're part of that same crew, the ‘Revelation Records’ crew of bands that just defined straight-edge hardcore.
I played out that 7” like crazy, oh my god! It’s crazy because I don't think they had much music, but they had such a lasting impact with just a few songs.”
‘Firestorm’ by Earth Crisis
“They were around right when I started. I think their first single, that ‘Firestorm’ single came out in 1992. I got it in ‘93. But God, they were like a really gnarly straight-edge hardcore band. The lyrics were so militant and so like, just so gnarly. But like, you just want to go crazy with it. I could sing all the lyrics and just stomp around and sing along.
Actually, I remember going to an Earth Crisis show and there was like 30 people there, and I was one of them. That was kind of cool. Most of the shows I went to actually were like 20 to 50 people. But yeah, I love that 7” so much.”
‘New Noise’ by Refused
“We're gonna fast forward with this one. I think ‘New Noise’ came out… it was on ‘The Shape Of Punk To Come’ that's probably around ‘96, it could be around 1995 maybe … around that era in the mid-nineties.
They were from Sweden, so I actually never got to see them perform. The crazy thing is they were supposed to perform in my living room in Santa Barbara, in Goleta; when I used to do shows at ‘The Pickle Patch’. I had a place called ‘The Pickle Patch’, it was a living room and we had 400 bands play in our different evolutions of what the Pickle Patch was, in different houses that we were able to make a space for bands to play.
I was looking forward to that show and they actually, like, broke up on that tour. So I was really sad. But ‘New Noise’ is one of the greatest songs. ‘The Shape of Punk To Come’, the album that it came off of, is one of the greatest albums of all time. Top 10 greatest albums of all time is that album for sure.
I actually got to remix ‘New Noise’, so I’ve done the official remix, the Steve Aoki and Bloody Beetroots remix of New Noise. Which is epic for me, for my own legacy of music; to be associated and attached to that song officially. I remember, in the late 2000’s after my song with The Bloody Beetroots,‘Warp’, came out we dropped that remix. It was just along the same lines of mashing this hardcore energy, and stage diving, and crowd surfing and punk rock energy with electronic music. And it turned into electro craziness that was happening in the late 2000’s and that remix was part of that.”
‘Undertow’ by Function
“Function was a band I saw a billion times in Orange County. They’re an Orange County hardcore band. So that’s a different kind of band, unlike ‘Shelter’, ‘Youth Of Today’, ‘Gorilla Biscuits’ or bands like that. Or like the East Coast bands that I saw every now and again, like ‘Earth Crisis’ or ‘Avail’ .. ‘Avail’ is definitely part of a different world of hardcore, but ‘Function’ were the local straight-edge hardcore band that we’d go see all the time.
They’re from Huntington beach and I’m from Newport beach. Newport beach in comparison to Huntington beach was always kind of not as cool, because we didn’t have all the big bands coming from our area. It was always HP hardcore bands, they’re the ones that blew up in our scene. So they were one of the bigger ones at the time.”
‘Break Down The Walls’ by Youth Of Today
“Now we get to ‘Youth Of Today’, which I've talked about already. It's Ray Cappo’s band, before ‘Shelter’ and it’s like one of the definitive straight-edge hardcore bands of all time. Put your exes on your hands and you just mosh, and you sing along, break down the walls. It's just self-affirming, straight-edge hardcore, just absolutely definitive.”
‘Blanket’ by Unbroken
“Unbroken is one of the bands I used to see all the time. They were from San Diego.They were much darker than most straight-edge hardcore bands. They wouldn't even call themselves straight-edge hardcore, I think they stopped wearing their exes. I think they did at one point, and then they just were hardcore. Like straight-edge hardcore bands were very PMA, positive mental attitude, and then ‘Unbroken’ were just dark hardcore. They were kind of like evil hardcore. You know, there's something about that kind of darkness that's really cool about them and I love going to see them play, I mean, they're just unbelievable as a live band, such a fan of them. ‘Life. Love. Regret.’ is one of the greatest hardcore albums of all time.”
‘Sperm Donor’ by Rifoki
“Rifoki is my band I did with Bob Rifo from The Bloody Beatroots and we did that in 2009, same time that we did ‘Warp’. We got a rehearsal studio and we made five songs with Congorock.I sang, I played some guitar as well, wrote some of the guitar, Bob Rifo played guitar, we got an Italian drummer; we did this all in Italy, and Congorock played bass. We wanted to harken back to our hardcore days because Bob Rifo was also in a bunch of bands before. I just went right back to my hardcore days of being in a hardcore band, before I was DJing I was in bands. So Rifoki is actually Steve Aoki, Bob Rifo … Rifoki.”
‘Left Hand’ by Envy
“Envy is one of the greatest bands of all time. I'm just gonna put that out there. They're from Japan. You need to hear about them.
My first Japanese tours were because they actually said ‘We like you, we're gonna bring you on tour’. Without them, I would've never toured Japan. This is 1999, ‘This Mission Kills’ was my band, we toured with ‘Envy’. We actually ended up releasing ‘All The Footprints’ on Dim Mak in America. One of the most beautiful, heartbreaking, heart-wrenching albums, screaming hardcore but with such melody and such despair and emotion. when you see them live, you just literally wan to melt into tears because it's just like screaming, crying all the time.
They're just one of the greatest bands. They're a bit outside of the hardcore world I'm talking about for the most part throughout this 12on12, but they absolutely belong on this one for me because of my journey in hardcore that has evolved me to be where I am.”
‘One Question’ by The Fire Next Time
“I was gonna pick ‘This Machine Kills’, which is my main band I had when I was in college. We actually signed an album to Ebullition, which was a big deal for us. We didn't sign, there's no signing, but we released an album on Ebullition. But I also had other bands and one of the other bands was ‘The Fire Next Time’. I played guitar, I sang, we did a few shows, we did an album. It was great to be in a band with my friends at that time.
It was more of an emo hardcore band and it doesn't get much love, because when people go back to my heardcore roots they think of Esperanza, because that was another band I was in; and ‘This Machine Kills. But ‘The Fire Next Time’ gets not that much love, so I'm happy to give love to one of my smaller bands that I was part of. I did an album with them, it’s on Dim Mak actually; and we put out a CD. I don't know if it’s even available on digital, but it is available here on 12on12.”
Closing
That's it. That's my journey in hardcore, you get a glimpse and that's just scratching the surface of the hardcore that has little pieces of my DNA and my soul, my spirit, my energy, culminating to what you see right now. There you go.”
‘Year Zero’ is a must have compilation for any true hardcore fan, Steve Aoki fan or vinyl collector. Make sure you grab a copy and add it to your collection below.
]]>
His musical journey has taken him from the gritty world of straight edge hardcore punk to the glitz and glamour of the EDM scene. Along the way, he has influenced countless artists, broken records, and cemented his place as one of the biggest names in electronic dance music. Seeing as our latest limited edition vinyl release is with Steve Aoki and Richard Orlinski, we thought we’d explore Aoki's evolution as a musician, his passion for straight edge hardcore, and the bands that inspired him along the way.
Those Early Years
Steve Aoki grew up in Newport Beach, California, exposed to a wide range of music and cultures from a young age. However, it was the straight edge hardcore scene that really captured his imagination.
In the late 1990s, Aoki formed his own band, This Machine Kills, which played an aggressive, politically charged brand of punk rock. He also played in various other bands including The Fire Next Time, Esperanza & Rifoki; which is featured on the vinyl we’ve just released with him.
Straight-edge is a punk subculture that emphasises a drug-free, alcohol-free, and often vegetarian or vegan lifestyle, as well as positive values like self-discipline, self-reliance, and community. Aoki embraced this lifestyle and became a vocal advocate for its values, even as he began to explore other musical genres.
The Birth of Dim Mak Records
In 1996, Aoki founded his own record label, Dim Mak Records, the name being a reference to Bruce Lee's Death Touch martial art technique and the label started out of his college apartment at the University of California, Santa Barbara. At the time he also began hosting punk and hardcore shows at The Pickle Patch, which was actually just a nice name for the living room of his college apartment. It quickly became a notable label in the punk rock scene, eventually broadening its horizons and working with indie, electro & hip hop acts too, including Pretty Girls Make Graves, Bloc Party, Mstrkrft & more. It also released Aoki's own music, including his first solo EP, Pillowface and His Airplane Chronicles.
Aoki's early music was heavily influenced by the straight edge hardcore scene, and he continued to release music in this vein throughout the 2000s. However, he also began to explore other genres, including electro, house, and other forms of EDM. This eclectic approach helped to define his sound and set him apart from other DJs and producers.
Rise to Fame
Aoki's big break came in 2010, when he released his debut album, Wonderland. The album was a critical and commercial success, featuring collaborations with some of the biggest names in music, including Kid Cudi, LMFAO, and Travis Barker. The album's lead single, "I'm In The House," became an international hit and helped to establish Aoki as a major force in the EDM scene.
Since then, Aoki has continued to push boundaries and break records. He has headlined festivals around the world, collaborated with artists like BTS, Fall Out Boy, Blink 182, and Backstreet Boys. He even had Guinness World Records for the "longest crowd cheer", and also for the "most amount of glow sticks for thirty seconds.". His high-energy DJ sets, positive energy and electrifying productions have made him one of the most sought-after performers in the world, and he shows no signs of slowing down.
Influence of Hardcore Bands
Despite his success in the world of EDM, Aoki has never forgotten his roots in the hardcore punk scene. He remains an active member of the straight edge subculture and continues to promote its values through his music and his activism work. Aoki has cited bands like Gorilla Biscuits, Avail, Youth of Today, Refused, Earth Crisis, and The Fire Next Time as major influences on his early work and his ongoing exploration of different genres and styles.
These bands and their music have had a significant impact on Aoki's sound and style, and he continues to pay homage to them in his own music. The aggressive, full throttle spirit of hardcore punk is evident in his live shows, which are known for their intense energy and crowd interaction. Aoki's use of punk rock samples and influences in his electronic dance music has also helped to bridge the gap between these two seemingly disparate genres.
Steve Aoki's journey from straight edge hardcore punk to EDM superstar is a testament to his creativity, passion, and hard work. His love for music and commitment to his values have helped to shape his sound and his place in the world of electronic dance music. From his early days in the hardcore scene to his record-breaking performances around the world, Aoki has remained true to himself and his vision, and has inspired countless others to do the same. Whether you're a fan of punk rock, electronic dance music, or anything in between, Steve Aoki's music and message are sure to resonate with you. That’s why we’re so incredibly excited to have worked with him on ‘Year Zero’. An incredibly limited 12" vinyl release that pays homage to his hardcore roots and tells the unexpected story of punk music’s influence on Steve Aoki’s meteoric rise to superstar DJ.
‘Year Zero’ is also a co-curation with the French contemporary artist, Richard Orlinski, who art directs the collaboration and creates the original character, Punk Kong … but we’ll dive more into his work in our next blog post.
]]>Much like jazz, its possibilities are infinite.
Kristina Kay Robinson, poet, writer, and multidisciplinary artist wrote about the resonance of My Name is Sarah, 2021 and Ferrari Sheppard's work in the context of our latest release with Swizz Beatz, ‘Long Live Jazz!’
Jazz is the eternal union and juxtaposition of tradition and innovation, autonomy and harmony. One of the sacred musics of Black Americans, jazz's influence on both American and world culture at large continues to reverberate. My Name is Sarah by Ferrari Sheppard is an evocative expression of this union via his distinct perspective on portraiture. A working meditation on Aunt Sarah, the first woman of Nina Simone’s, “Four Women,” Simone’s lyrics provide the template for Sheppard’s figure. Both song and painting are enigmatic compositions that are minimal and yet striking in their detail. The painting is at once straightforward and also opaque about Sarah’s true identity. My Name is Sarah is a beautiful mystery. Much like jazz its possibilities are infinite. Sheppard’s complex multiplicity of strokes and linework offers each its independence while working in unison to create the painting’s universe of form. Sarah is strong as the song’s lyrics and her pose in Sheppard’s painting suggests. Sarah has known pain and yet the flower on her ear, the gentleness of its pink, also tells us that Sarah knows beauty–that Sarah is beauty itself. The 24k gold leaf on Sarah’s garment, its solar like presence, a reflection on the value of inner radiance.
My Name is Sarah was completed in the winter of 2021 in Los Angeles California. The painting was included in Sheppard’s solo show Dark Bodies, Bright Crest with Maruani Mercier Gallery in Brussels, Belgium. It was selected as the cover art for the reissue of Long Live Jazz by the album’s curator, the legendary producer and owner of the Dean Collection, Kasseem “Swizz Beatz” Dean. A triumph in its ability to synthesize and concretize the more abstract elements of music and identity, Dean says of the work, “This is the perfect combo between ART & Jazz. Ferrari is a creative force to the art world. His work makes you feel something special! It moves your soul & mind. Jazz is a creative force to music. When these two come together it creates healing, love, peace and fun times. Long live Art & Long live Jazz.”
— Kristina Kay Robinson
Kristina Kay Robinson is a poet, writer and multidisciplinary artist from New Orleans, Louisiana. Her writing has appeared in Art in America, The Baffler, The Nation, The Massachusetts Review and Elle among other outlets. She is a 2019 Rabkin Prize recipient for Visual Arts Journalism and currently serves as New Orleans editor-at- large for the Atlanta-based, Burnaway magazine.
]]>
How important is music to your creative process as an artist?
For me, artistic expression is a monolith. Whether it's writing, painting or composing music, art is born from an urge to communicate the human experience. In this way, music is inseparable from my creative process. I've created music in past and I listen to music as I paint.
What genres of music and/or any specific musicians do you usually listen to while painting and creating?
It depends on my mood, but mostly I listen to jazz. Grant Green, Miles Davis, John and Alice Coltrane, Sun Ra, Thelonious Monk, Mulatu Astatke, the list goes on. When I'm not listening to jazz, I'm listening to anything from Fela Kuti to Kendrick Lamar to Chopin. As I said before, it depends on my mood.
What is your relationship with Jazz and what influence or relation does it have to your work?
When I was a boy, I entered a phase of music discovery that caused me to spend hours digging through records at the local record shop. I experimented with Blues first, but I found l preferred the spirit of Jazz. I was drawn to the improvisational and loose aspects of the music. Big Band repulsed me because it felt too performative like black people were only playing it to please Whites. I preferred the departure--the jazz musician rebels who leaned towards Bebop.
When I look at my work, I see the influence of jazz through my approach to line and the unapologetic immediacy of my stroke. There is a certain confidence in my form.
Who are some of your biggest inspirations, both past and present?
I'm inspired by professional integrity and determination, both artistically and in other aspects of life. I admire people that strive towards excellence. I love Pablo Picasso's work ethic. I admire Jack Whitten's approach towards science and philosophy in relation to visual art. I'm a fan of Cy Twombly, De Kooning and Jacob Lawrence.
What are your ambitions for 2023 and beyond?
I'd like to continue to secure museum exhibitions and expand my studio abroad. I see myself continuing to create art.
]]>
DMC discusses the all-encompassing musical influences on Run DMC’s 12on12. A layman might find Kraftwerk odd on a record about classic-era rap influences, but DMC explains: "Kraftwerk created hip-hop." He may be exaggerating, but it's hard to argue his point. As he points out, Afrika Bambaataa & Soulsonic Force's 'Planet Rock' sampled the German electronic pioneers' 'Trans Europe Express' - with both tracks appearing on the vinyl release.
“Kraftwerk were a foundation of hip-hop not just because of their music, but they built their own machines and computers,” DMC says. “They were doing the same thing as young boys and girls in the Bronx were doing at the beginning of hip-hop. We didn’t have studios but we heard their music and something in their music connected us. If you listen to the early years of hip-hop… we followed the blueprint of a group from Germany.”
In New York City, 'Trans Europe Express' was among the most popular songs among hip-hop DJs: "It was played in every park and block party." The DJ would play it and everyone within a 10-mile radius would head to the park when they heard Kraftwerk."
“It was the same culture that Kraftwerk grew out of that gave birth to hip-hop... White German people and black Bronxites are not different.”
Kenny G was another unexpected artist to appear on the record. DMC describes it as "the perfect source for sampling".
“It’s music – it’s the vibration,” DMC tells us. “Kenny G is music and hip-hop is nothing without music. People are so focused on race that they would not give a black kid the benefit of the doubt that he listens to Kenny G. Music is music. Kenny G makes great music that we can sample."
You may think you're listening to a Kenny G serenade, but I'm thinking about putting a beat-up underneath it. I think it's an example of tearing down the barriers of racism and separation."
It's obvious that 'Walk This Way', the group's cross-genre collaboration with classic rockers Aerosmith, was a key component of the release.
"Steven Tyler is that kid that would come over to your house and play with you all day that your mother and father had to kick out." DMC recalls working with the band. That’s his spirit – very energetic, very enthusiastic, very inquisitive… very outgoing. He’s the guy who did country music and blues – he’s Kraftwerk, Kenny G, Run DMC and James Brown all rolled up into one.”
“When we were in the studio recording ‘Walk This Way’, Steven was asking Jay to teach him how to DJ. I believe there’s some footage out there of Jay teaching Steven how to DJ. Steven was like, ‘I’m going to rap with y’all’… Steven Tyler is the little kid in all of us.”
Luke Morgan Britton and DMC discuss Run DMC's 12on12 vinyl drop in a video interview on NME.com.
]]>12on12 was formed to homage the amazing artistry of vinyl records, the original music format since 1930. Record pressing is a nod to our analogue past, combining science and alchemy to create a product we generally keep for a lifetime.
Producers capture signals from mics or instruments and these recordings are then mixed and mastered in the studio.
A vinyl record is made by cutting lacquer with a lathe after the finished recording is sent electronically. The waveform of the music determines the shape of the grooves cut by the lathe. A metal master (or "mother") is produced by coating a lacquer disc with metal, and a stamper creates a negative version of the mother. Vinyl records are made by loading the stamper into a hydraulic press and pressing it into vinyl stock.
During playback, your record player's needle (or stylus) follows the record's groove and sends an electrical signal using a tiny electromagnetic generator called a cartridge. The signal can be produced by either a moving magnet (MM) or a moving coil (MC) - both use magnets and coils of wire. The electric current generated by a corrective equaliser and amplified can generate the physical movement of speakers in all-analogue playback chains, which effectively reproduces the recorded sound.
Unlike other formats, vinyl captures every bit of the analogue wave, making it the only format that is truly lossless. We were captivated by the attention to detail, the process of making the highest-quality sound recordings, and the physical elements of vinyl.
Materiality is one of the most seductive aspects of vinyl's tactility. A record occupies a particular place and time because it is physical. They are stored on shelves, removed from sleeves, and placed on turntables. Apart from the vinyl disc, a record's packaging contains various other physical components.
Vinyl also has many visual aspects. Album artwork is usually the most iconic part of the record, with many examples of covers that have become timeless, enduring cultural icons, like Pink Floyd’s Dark Side Of The Moon. You can add artwork to vinyl in various ways, from the picture disc to the inner sleeve and jacket - even the polybag can be used as a canvas. Vinyl records are décor pieces in their own right, which is why we create vinyl records to complement your musical and design tastes.
Most of the information inscribed on discs and sleeves is lost on digital. As a result of this information on vinyl, the narrative, history, and context are built. incorporating information about the artist, musicians, producer, recording studio, recording date, label, lyrics, shout-outs, number of pressings, and so on. Even though this information is often available digitally, the source isn't the format but internet access in general. Due to the extra effort it takes to see the information, listeners aren't compelled to take notice. Information on the record and sleeves announces itself loudly, transparently, and contextually.
Compared to digital, vinyl records enrich the aesthetic experience and expand the artists storytelling.
]]>Through its DO GOOD initiative, the Bicester Collection supports charities that empower women and children locally and internationally. These partners include Brides Do Good, a charity that aims to end child marriage and unlock brighter futures for women and girls, one wedding dress at a time. IntoUniversity, which provides local learning centres where young, underprivileged people are inspired to achieve. Smart Works, who provide clothing and coaching for unemployed women to give them the confidence they need to reach their full potential. World Connect: a charity that invests directly in local communities in the Global South to deliver sustainable impact and growth, plus many others.
As part of Smiley's 50th-anniversary celebration, 12on12 teamed up with an icon synonymous with artists and musicians since its launch half a century ago. Spreading good news has always been Smiley's mission, and the founding mantra of 'Take the Time to Smile' seems more relevant today than ever.
The record includes Smiley’s anniversary anthem with David Guetta and specially commissioned artwork by André Saraiva, the legendary graffiti artist.
The album was launched at the Fidenza Village Sound Event, headlined by Italian-born DJ, producer, and artist, Deep Chills, one of the album contributors.
]]>